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Beck’s Biography
Initially pegged as something as a voice of a generation when Loser turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the e90s alternative explosion, but in unexpected ways. Based in the underground anti-folk and noise-rock worlds, Beck encompassed all manners of modern music, drawing in hip-hop, blues, trash-rock, pop, soul, lounge music,pretty much any found sound or vinyl dug up from a dusty crate, blurring boundaries and encapsulating how e90s hipsters looked toward the future by foraging through the past.
In another time, Beck may have stayed the province of the underground, but he surfaced just as alternative rock turned mainstream, with his 1994 debut Mellow Gold launching Loser, a hit that crossed over with the velocity of a novelty, a notion Beck quickly punctured with a succession of indie LPs delivered in the wake of Mellow Gold, including the lo-fi folk of One Foot in the Grave, delivered on the K imprint. But the album that truly cemented Beck’s place in the pantheon was 1996′s Odelay, a co-production with the Dust Brothers that touched upon all of his obsessions, providing a cultural keystone for the decade while telegraphing all his future moves, from the soul prankster of Midnite Vultures to the melancholy troubadour of Sea Change. After an extended break — the longest he’s taken between albums to date — Beck returned in 2005 with Guero, an album that reunited him with the Dust Brothers and consciously evoked Odelay. Guero launched a few hits, including E-Pro and Hell Yes, and was followed within months by Guerolito, a remixed version of the entire album. Beck continued in this direction the following year with The Information, but its Nigel Godrich production kept the album streamlined and emphasized the darker undercurrents in the songs. His eighth album, Modern Guilt, a 2008 release produced by Danger Mouse, marking his first time in 14 years that he worked with a producer who wasn’t the Dust Brothers or Godrich.